The Game is Dead

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

‘Moscou’ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoon’s emotionswhen the phone rings. It’s Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.

Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.

At an LA house party, an aspiring musician pursues her crush through a crowd of hopeful dreamers chasing empty promises.

Six poems written by six young prisoners animated to tell their stories, thoughts, fears and hopes.

The oldest son of a loving and strong family of black sharecroppers comes of age in the Depression-era South after his father is imprisoned for stealing food.

The alien criminal from the first movie is dead, but he left a few eggs which are hatching now. The good alien, who still inhabits Tom Beck's body, has been waiting just in case this happened. Unfortunately, his presence in the body has taken a terrible toll on it, draining it of life energy. Additionally relations with Beck's daughter Juliet (now a cop) have deteriorated. But when the killing starts again, they will need to work together to stop the new generation of aliens.

A flashback to the early life of the narrator/ protagonist 'Tanuk' (Juvenile) shows life in the Magnolia projects in New Orleans. He bears witness to his father's demise at the hands of local gangster Garr over a debt of $2000. Fast forward to the year 2000. Beatrice (Birdman aka Baby or #1 stunna) along with Tanuk, Chopper (B.G) and Teke (Turk) meet with representatives of a drug cartel and purchase a large batch of cocaine. We then see scenes of everyday business in Magnolia with Iceberg Shorty (Lil Wayne) selling some drugs.

Two blue-collar buddies search the underworld for a winning lottery ticket lost in a nightclub holdup.

From Spike Lee comes this vibrant semi-autobiographical portrait of a school-teacher, her stubborn jazz-musician husband and their five kids living in '70s Brooklyn.