Stranger by the Lake

A film in which the director captures the beautiful and accurate qualities of reality when building the energetic portrait of a 16-year-old girl immersed in the macho culture of urban suburban south-west France, just a stone’s throw away from the nearby countryside.

Multi award-winning psychological illusionist Derren Brown returns in the recording of his acclaimed live show ‘Infamous’. Featuring Derren at his baffling best with the excitement of a live theatre audience, Infamous includes amazing, provocative, jaw dropping demonstrations of his incredible skills of magic, suggestion, showmanship and misdirection in a must-watch roller coaster of emotions.

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.

Frank, a gay school teacher, has a very active sex life and an interest in making films. One evening, he meets Bernd and they become lovers. But while Bernd is attentive and caring, Frank gets bored and continues his polymorphously perverse ways.

In New York City, detective Luigi Mackeroni investigates a string of mysterious penile mutilations at the Hotel Quickie. After Mackeroni attempts to have a tryst with a gigolo he meets in the lobby, a carniverous condom bites off his right testicle and flees, which sets the detective off on a quest to stop the predatory prophylactic once and for all.

A symphonic journey into our obsessive consumption. The many objects we accumulate begin their production journey in silent secluded industrial site where borderline men work in isolation without any interference. These men trigger, unconsciously, the long chain of creation, transport, commercialization and destruction of the objects feeding our bulimic lifestyle.

During the Nazi occupation of France as two filmmakers attempt to navigate their careers without compromising their ideals. Facing pressure from the Vichy government, assistant director Jean Devaivre uses his position at the German-controlled studio Continental Films as a cover for his resistance activities, while screenwriter Jean Aurenche uses his wits to keep from being involved in the creation of any collaborationist propaganda.

Mateo and Will invite their friends over for Will's 30th birthday. After a few surprise visitors, they get through the day, but realize that doubting your partner isn't nearly as scary as doubting yourself.