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"Hey, kids, let's get together and put on a show!" That's the idea behind this raucous spoof about a vaudeville performer who's sent to college to spy on his bratty son.

When the Pfeffermans face a life-changing loss, they begin a journey hilarious and melancholy, brazen and bold. As they face this new transition, they confront grief and come together to celebrate connection, joy, and transformation.

Siblings Geoff and Rich Brewer have competed all their lives for parental affection, career ambitions, and romantic pursuits. Rich, the elder brother, always comes out on top leaving Geoff to struggle in his shadow. Tragedy strikes their family in a freak accident. In a panic, Geoff seeks out a backwoods cult rumored to have supernatural powers. The bumbling cult's ritual initially solves the problem, but it soon becomes apparent that they have unleashed a sinister force on their unsuspecting, Midwestern town.

Young Count Georg Wolkersheim is sent to the Congress of Vienna to represent the interests of his country, Reuss-Schleiz-Greiz. Tensions arise between the count, his wife Melanie, and their two chamberlains, and when the four attend a court ball, Melanie leaves Georg, assumes the identity of a famous actress, and attracts the affections of Crown Prince Ludwig of Bavaria.

Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.

Follows a charming 13-year-old on a turbulent journey of self-discovery. After an embarrassing incident at school, Trevor must summon the courage to forge his own path.

New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.

A silver-tongued poet and self-proclaimed "King of the Beggars" searches old Baghdad for a rich bachelor to marry his dreamy daughter, Marsinah. Along the way, he poses as the renowned sorcerer Hajj and gets in and out of scrapes with an elderly thief, a dim-witted wazir, and his wife. Meanwhile, his daughter develops feelings for a handsome caliph.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

The next chapter explores what “happily ever after” is really like for Red and Chloe, following their return from their time-traveling adventures. Set primarily in present-day Wonderland, the sequel delves into the warning at the end of the previous movie: “There are consequences when you alter the fabric of time.”

This musical reworking of Too Many Husbands (1940), features Grable as a top singer and dancer who's been widowed by WW II. She marries her late husband's songwriting partner, Gower Champion, but the new marriage is thrown for a loop when Lemmon, her first husband, turns up very much alive and eager to see Grable.

Aboard a giant slave ship in an abandoned Citroën factory, the history of the West Indies is traced through several centuries of French oppression. The ship becomes a stage for the people to tell stories via song and dance—from their enslavement to their displacement in Metropolitan France.