Fresh Outta High School 18

Marty's act is filled with actual events from his life. Everything he says is a true story based on something that either happened to him, his kids, or that he made up entirely. (Do we need to point out that this is sarcasm? Wow, even the parentheticals have sarcasm.)

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

"AA" is a documentary about Akira Aida (mostly known as Aquirax Aida), a japanese music critic who introduced free jazz, improvisation, and progressive rock to Japan. It's based on interviews with 12 critics and musicians who had connections with him. This is a documentary that considers the past, present and future of improvisation.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

In the fifth installment of the Cine Gibi series, Smudge and Jimmy Five find themselves engaged in a lively debate over the ultimate action film. Seeking a resolution, they turn to their friend Franklin, known for his inventive prowess, to organize yet another round of projected comic book film sessions using his colossal blender.

Have you ever wanted to take a year traveling the globe? 10-year-old Unai and his family do just that on an extraordinary mission to photograph an endangered animal on each continent in its natural environment. A documentary made by nature photographer Andoni Canela with his family is narrated by his young son who shares his experiences and observations as they camp in jungles, deserts, and glaciers in search of wolves, elephants, lions, bison, penguins, hornbills and crocodiles. Seen through the boy's eyes, their journey across all continents conveys an innocent and unconditional love of nature and reveals an urgency to protect the delicate diversity of our planet's wildlife. Breathtaking cinematography and an insider's view on the daily life of a professional photographer on assignment enhance the documentary's story of a family learning, playing, and living on a trip of a lifetime together.

The story of a legendary figure in Brazilian culture, the multifaceted Carlos Imperial. He was a convinced womanizer and cafajeste, he was a director and actor, created TV shows, composed songs like “Vem Quente que Eu Estou Fervendo” and “Mamãe Passou Açúcar em Mim”. In addition, he is responsible for launching big names in Brazilian music, such as Roberto Carlos, Elis Regina and Tim Maia.