ACPAV

Sophie Deraspe’s adaptation of the classic Greek tragedy of the same name reimagines the story of a woman’s quest for justice as a commentary on the immigrant experience in contemporary Montreal.

In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City. Uprooted, far from his loved ones, unable to speak French and faced with a completely alien world, he becomes despondent. When he refuses to eat and expresses a wish to die, his nurse, Carole, comes to the realization that Tivii's illness is not the most serious threat to his well-being. She arranges to have a young orphan, Kaki, transferred to the institution. The boy is also sick, but has experience with both worlds and speaks both languages. By sharing his culture with Kaki and opening it up to others, Tivii rediscovers his pride and energy. Ultimately he also rediscovers hope through a plan to adopt Kaki, bring him home and make him part of his family

Mrs. Lemay has been separated from her husband for 11 years, but takes him back after the death of her partner.

Reynold is dying of cancer. He uses his last meals to share them with his daughter. As the meal progresses, a ritual begins to take hold, the dishes acting as reminders of the past. Vanessa discovers who her father really is.

Two men bond as one recovers from an attack and the other deals with the impending death of his grandmother.

This is the story of Gerard, an man who miraculy survived to an explosion that destroyed his appartment and killed a lot of people. During the next days, he tries to find out why he survived and why others died.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

With an enthralling central performance by Gilbert Sicotte, this masterful debut feature examines the life of the top car salesman in a fading Quebec town as events challenge the 67-year-old’s sense of identity and the meaning of life at the most profound level.