The Couch Critic Logo
The Couch CriticCouch Critic
TrendingMoviesTV ShowsListsReviewsWhat to Watch
LogoThe Couch Critic

Menu

TrendingMoviesTV ShowsListsReviewsWhat to Watch

© 2026 The Couch Critic

The Couch Critic Logo

The Couch Critic

Your go-to destination for honest movie and TV show reviews from a passionate community of critics. Join the conversation today.

X

Explore

  • Trending
  • Movies
  • TV Shows
  • Reviews
  • Lists
  • Games
  • About Us

Categories

  • Popular Movies
  • Trending Now
  • Upcoming
  • Airing Today
  • Movie Genres
  • TV Genres

Community

  • Guides
  • What to Watch

Legal

  • Privacy Policy
  • Terms of Service
  • Cookie Policy
  • RSS Feed
© 2026 The Couch Critic.•Built by Hayden Thorn
Cookie Settings
The Movie Database

This application uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.

Home/People/Julian Biggs
Julian Biggs profile photo
Born
Feb 24, 1920Died: Dec 4, 1972
Lived 52 years
Place of Birth
Port Perry, Ontario, Canada
Known For
Production
Gender
Male

Career Highlights

0
Movies
0
TV Shows
13
Directed
IMDb Profile

Julian Biggs

Production

Biography
Julian Biggs (1920–1972) was a director and producer with the National Film Board of Canada and its first Director of English Production. Over the course of his 20-year career, he created 146 films, two of which (Herring Hunt (1953) and Paddle to the Sea (1966)) were nominated for Academy Awards. His film 23 Skidoo (1964) received two BAFTA nominations, including the BAFTA United Nations award. Biggs was born and raised in Port Perry, in southern Ontario. When World War II broke out in 1939, he joined the Canadian Army and then transferred to the Canadian Navy, where he spent the rest of the war serving on mine-sweepers. He then attended the University of Toronto and, in 1951, was hired as a production assistant by the National Film Board of Canada. He directed his first film, The Son, a year later. From 1956 to 1958, Biggs produced the Perspective series (paralleled by the similar series in French Passe-partout), which was 35 30-minute dramas with an emphasis on social themes such as alcoholism, drug addiction, adolescence, the elderly, racial problems etc. One such film, Monkey on the Back, directed by Biggs, was a bleak, tragic story of man's unsuccessful struggle to free himself from drug addiction. Similar to Robert Anderson's Drug Addict (1948), which had been banned in the U.S., it was the type of film that caused the NFB to reconsider its role in producing socially relevant films. There was an unwritten policy and priority to shift away from social realism to the 'art' of film.

No movies found