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romantic to infinity + my extreme love x Montevideo

In a slightly dystopian version of our reality, the Fontainhas neighborhood - Porto - is at the center of a dark plot of real estate speculation. Disappearances and other disturbing elements arouse the suspicions of one of the neighbors.

After being made fun of at the pub, Quaid attempts to set a Guinness World Record – no matter the price.

Alone in a new city, a young man finds solace in keeping in touch with old friends via social media where an unexpected attachment forms as his friends start posting photos of their new-born children.

Crushed by their unfolding realities, disembodied anonymous Palestinian voices wander occupied lands, where the dissonance is deafening.

If water could speak and we could understand it, we would hear how absurd it finds the categorisations of living things created by human science, the lack of respect for the territory of others, the desire to colonise...

A life of political commitment led filmmaker Michèle Firk from the underground support network of the Algerian FLN to the guerrilla struggle in Guatemala. In 1966, she was in Havana when the Tricontinental took place, a conference aimed at forming a united anti-colonialist and anti-imperialist front of countries from the Global South.

Didier works on a cattle farm. Deaf from birth, he lives alone in an isolated house in the countryside. Since the death of his brother and only companion, Claude, he has taken refuge in his work. While the farm experiences a health crisis, Didier is driven by a critical need: to reinvent his language, to make himself understood and to transform his disability into a strength.

Spanning the forests of Germany, Indonesia, and the Democratic Republic of the Congo, this layered essay in visual and political anthropology explores the diverse practices, tools, and motives behind timber exploitation

Ignacio Ceroi is trying to track down a man whose daily life he has been following through videos recovered from an old camera. Who is this man? And would he be pleased to know that he has dedicated a film to him? Would he be able to forgive him for his voyeurism?

A film-diary that jumps through time and space, and finds connections between various sceneries and situations, which ordinarily would not exist together.

There was once a group of Peruvian anarchist poets forced into hiding who, during their secret meetings, sought to assume a non-human identity. Drawing on the famous Persian fable of the same name, the filmmaker translates the power of poetry and friendship into images and sound, serving as def iant stances against the established order.

A woman revisits her 14 childhood homes as one might reread a personal diary. The camera, with its static grace, allows the memories to flow. A wall leaks, a tree becomes a friend, a body changes, Diana dies, a mother struggles. Between anecdotes and pivotal events, a political consciousness takes shape: for these homes are built on Aboriginal land.

Dante Balbo’s poetic phrasing invites us to imagine the world as he – blind from birth – experiences it. His gentle voice guides us through the undulating dance of light and sound vibrations that populate his mental images. Could it be that we, who think we see everything, actually perceive only a grain of sand in the vastness of the infinite landscape?

The natural landscape of Colombia’s Río Cauca Valley, with its mountains, forests, and rivers, has been reshaped and transformed for colonial hydroelectric production. Uprooted by the pursuit of profit, a community celebrates a fascinating ritual to remember and mourn its territory, contributing its own images and sounds to the film’s visual and audio stream.

Based on the testimonies of former migrant workers, A Chronicle of the Lost retraces the journey of one of them, embodied by a fictional character wandering through the now-abandoned jute mills of Calcutta. The imaginary letters he sends to his wife, who remained in their village, weave a poignant elegy to a community destroyed by the rise of capitalism.

Below the surface, the alien is us. Filmed entirely underwater with natural light and ambient sound, MARE SAPIENS moves through the Bay of Marseille as a space where living forms, infrastructures, and machines coexist. The film assembles a sensory field without commentary or hierarchy, letting the sea appear not as background or resource, but as a milieu that absorbs, resists, and persists.

Radio Galère, an independent radio station in Marseille, has been on the air for over 40 years, giving voice to what we hear far too little of: the anger, the struggles, the hopes, and the stories of those whom society renders invisible in their daily lives. Through its volunteers and staff, the station is a place where speaking out becomes a political act and a tool for empowerment.