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After his best friend’s suicide, Jan returns from Belfast to Catalonia. With his ex-girlfriend Laura, he drives to their coastal hometown for the funeral. As distance gives way to memory, their guarded conversations uncover the unresolved fracture that once separated them.

Ekkapong Saransett Songkhla artist and film director created a moving photo exhibition tribute to his late father, who was a Thai-Chinese diaspora. The birth of a small life through the world war, the Chinese Revolution Starting life by Songkhla Lake The work consists of historical animation and memories combined with audio work from J Wattankuljarat (JPBS member) to tell a personal history through the sound of gunfire, sea, and fireworks. We all begin from somewhere

A horribly disfigured man awakens and tracks down the doctor who made him a monster, killing all who stand in his bloody path.

Thought of as a visual laboratory, BLUE is an experimental short film that replaces a traditional script with work on atmosphere. Through the use of organic textures (steam, water, mirrors) and a monochrome neon light, the film paints a silent portrait of a melancholic interiority.

Once I had a prophetic dream about a miscarriage. The idea for the film grew out of that dream. Dreams of pregnancy and childbirth, with rare exceptions, come only to women — whether they have children or not. Through 2025, women anonymously sent in their dreams of motherhood via Google Forms. Some of those dreams became the basis for my film.

The short film follows Kwen, a student/worker struggling to juggle the demands of her job, her studies, and her friendships.

In the 1980s, Mano Negra exploded onto the music scene. Fronted by Manu Chao, the band brought together a group of furious visionaries with a unique sound who set the world ablaze in just five years. This portrait raises a question: whatever happened to our utopias?

A young man's obsession with his phone turns into a brutal struggle when it falls into a narrow gap by his bed.

Nothing says autumn like the crunch of leaves beneath your feet. Or bones.

Inspired by Georges Perec’s A Man Asleep, the film examines contemporary alienation in a today’s emotionally numbed world of hyperconnectivity and endless information.

Stranded walletless in Japan during his sister’s medical emergency, an Indonesian student finds his ultimate lifeline in a single QR code.

Evelyn is no stranger to street harassment from vulgar men — she has to bury herself in her phone just to stay sane while walking home. However, as she slowly loses her identity to being the victim of a gore-obsessed stalker, this dependency on distraction leaves her unaware of just how dangerous her situation has gotten.

The White and Organized Crimes: Karun Treasure team has come together! In Organized Conversations White Special, we're discussing the details of Organized Crimes: Karun Treasure.

Germany’s most expensive major project: the new Stuttgart Central Station. For some, it is economically nonsensical and riddled with planning errors. For others, it is an impressive testament to German engineering. The only problem is: trains still aren’t running there. Why is construction taking so long? Why is Deutsche Bahn building the station at all? This documentary provides the answers. A look back at more than 30 years of Stuttgart 21.

Aberfan's grieving community takes on the government, demanding justice and removal of the remaining tips after the disaster that killed 144 people

When a powerful political wife kidnaps the young woman she suspects is having an affair with her husband, a tense spring afternoon of weed, whiskey, and psychological warfare spirals into a deadly loyalty test.

Of Times There Were Before is a portrait of Romila Thapar, one of the world’s most influential historians and public intellectuals. At ninety-four, having lived through much of the making of modern India, she stands at an unusual distance from the past she has spent a lifetime studying. The film began with a simple question: who is the person behind the historian’s name? Shot at her home in New Delhi, it is an attempt to encounter Thapar beyond the authority of her work and the public image built around it. What emerges is a portrait of a life still in conversation with its own time.

Pelle waits. He always has. At the end of the world stands his tower and waits with him. There isn’t much to do here, surrounded by the sea and ice and nothingness. Once a year, Ole the whale passes through and makes a rest stop with Pelle. But this year, Pelle can find no trace of his friend on the horizon. Not today. Not tomorrow either. And after such a long wait, he becomes impatient … with devastating consequences.