An awkward teenage boy and his Type-A mom discover that what makes him unusual might be magical powers that will turn their lives and a secret world of magic upside down.

Struggling fair owner Kesselring (Nicolás de Jesús) is given a unique opportunity to restore the fair to its former glory when his friend Dr. Goodkat (Fredy Roque) introduces him to Marcus Kelevra (Alexis Adrián), a man whose mysterious act will draw people back to the fair, at a deadly cost, and even sparking interest among his fellow fairgoers.

Accused of adultery, Ana Augusta Plácido and Camilo Castelo Branco were imprisoned for more than a year in the Porto Prison, she in June 1860, he in October of the same year, after an adventurous escape from justice through the lands of the North.

Moscow schoolboy Volodya accidentally fishes out of the Moscow River a mysterious lamp, from which the genie Khottabych appears. He promises to fulfill any of his wishes, but each of them turns into unexpected consequences. Magic multiplies, rather than solves Volodya's problems. Nevertheless, the schoolboy is imbued with the genie's problems and, as a result, finds himself in the past, where Khottabych's daughter marries an unloved man. Trying to destroy this marriage and free Khottabych, Volodya and his friends go to an ancient Eastern wedding.

Two friends determined to become respected police officers face prejudice and ridicule for being openly gay. Given one final chance, they go undercover to infiltrate a dangerous gang terrorizing the city. Posing as inmates, they navigate chaotic events, including a botched prison escape, while maintaining their cover and planning an ambush to take down the gang leader and her operation. Their mission culminates unexpectedly at a major fashion event, where they confront the criminals and finally prove their abilities, earning the respect they’ve long sought. The story blends action, comedy, and satire, highlighting themes of courage, friendship, and queer identity in traditionally macho spaces.

Four hikers become trapped in a mysterious village after getting lost in a mountain foot market said to be an interdimensional gateway. There, the world turns strange—graveyards with no headstones, grinning bald figures, puppets with no puppeteer, and cult rituals dancing atop corpses. It all leads to one chilling truth: those who are trapped can never leave. The village is preparing a dark ritual to fill the hamlet with the dead. Faced with harrowing choices, can they survive—and make it home alive?

The sixth installment in the franchise. Plot TBA.

The story unfolds in a cursed mine, where Japanese soldiers and their captives find themselves trapped. As tensions between enemies reach a breaking point, they are forced to confront a terrifying, ancient monster lurking in the shadows.

Grisha, who has successfully managed projects to correct spoiled brats, now faces a difficult task – reeducating not just one person, but an entire family.

From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

Biba, a low-paid teacher, and Rizky, a struggling wedding videographer, are caught in a family sabotage of a lavish wedding, obsessed with showing off and hoping for a fat envelope. Their dream of a simple wedding is threatened, and the future of their marriage is at stake.

Free-spirited Italian chef and reserved British lawyer embark on a whirlwind romance during a destination wedding in coastal Italy.

A suburban housewife embarks on a dangerous mission to rescue her captured husband so he isn't late for dinner.

The agent family is this time dragged into an adventure full of leaps in time.

A new adaptation of the classic soviet film Priklyucheniya zheltogo chemodanchika (1970)

Planned film adaption based on viral found-footage shorts by 17-year-old Kane Parsons.

Pasi, a lonely but kind-hearted designer of artificial animals, lives in a world where nature is just a memory and human well-being is organized with perhaps too much care. One day, Pasi accidentally finds the world's last living squirrel and meets Emilia, an official who enforces the rules of well-being. Pasi decides to defy society's rules and help the squirrel, but something unexpected happens—the squirrel becomes depressed and Pasi falls in love.