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Heejin tries to restore old footage of her mother. With her father, she sells her mother's books and transplants a tree. Amid their quiet, persistent labor, life goes on.
Lost in the midst of a universal internet, visitors wander through a virtual museum, dressed in bizarre avatars. In this psychedelic-tinged documentary, it is through the perplexed gaze of a fish who arrived there by chance while surfing the internet that the directors lift the veil on the visitors' imaginations and their intimate vision of art and museum space.
Late one night Simon picks up his drunken father. As they drive through the dark, their familiar bickering stirs up old wounds and long-buried guilt. Before the night is over, Simon will face a truth he can no longer escape.
Ukrainian cinematographer Anatoliy Khymych raises three dogs, one of which he saved from death, and the shadows of the films he has shot — about Chornobyl, in particular — are recalled.
A film that boldly ventures into realms of intimacy that cinema rarely addresses so directly. Its creator, Dr. Diego Semerene – a non-binary Brazilian filmmaker and scholar of queer media at the University of Amsterdam – made a film essay twenty years ago as a deeply personal conversation with his father about growing up, sexuality and the search for masculinity. Their father had never seen this until now, watching it for the first time as a 71-year-old man. The film returns to that material, confronting the past with the present through an extraordinarily honest dialogue between father and child. It is a story about a queer childhood in Brazil, about the emotional tension between the desire for acceptance and personal identity, and about how memory and family intertwine with our deepest longings. Hypnotic, demanding and remarkably brave cinema that invites a conversation about the boundaries of intimacy.
A shadow puppet music video for the song by Sally Baby's Silver Dollars, blending Creole jazz, spiritual folk imagery, and hand-cut animation.
A knock at 4:30 am wakes sysadmin Andrey. A stranger in a red bathrobe with a pie in hand introduces himself as a neighbour, pushes his way inside, and begins tidying up the place.
After years of constant abuse and torment a nameless young adult has had enough and decides it’s finally time to escape, but is it that easy?