A beloved beaver lodge in the middle of Seattle is slated to be destroyed to make way for highway construction. A team of activists and beaver lovers rally to save it and draw attention to the benefits of the beaver.
Marian Turski, the world-renowned historian, journalist, and until his recent passing, president of the International Auschwitz Committee, takes us back to the roots of evil. A survivor of the Lodz Ghetto, Auschwitz, Buchenwald, and Theresienstadt death camps in his youth, Turski explains with firsthand knowledge and surgical precision how otherwise well-educated and cultured people can, under certain circumstances, turn into criminals and mass murderers. He reminds us about the painful past, explains the present, and warns about the future. His dramatic plea, "do not be indifferent!" remains more relevant now than ever. Andrzej Wolf, the director and cinematographer of this film, pays a loving tribute to one of the last moral compasses of the Greatest Generation.
Set in the Lake District, Jack Jarvis - ex-Royal Marine, two-time Atlantic record breaker and survivor of a near-fatal parachute accident - takes on his first backyard ultra. Through failed recovery, mounting pain and shared suffering, the race becomes an exploration of the role pain and camaraderie plays in achievement.
Set along British Columbia’s remote Dean River, the film follows 9-year-old Oly Hickman as he moves through his family’s fishing lodge in the heart of steelhead country.
An intimate portrait of an athlete who finds in movement a way to understand herself, grow, and continue shaping her own path. Through her preparation, training sessions, and the quiet moments that come before competition, the film approaches Joyce Njeru not only as an elite runner, but as a person shaped by her culture, determination, discipline, and a deep connection with the terrain.
Follows three para-climbers through fragments of their daily lives, where ordinary domestic gestures intertwine with the quiet precision of athletic practice. Moving seamlessly from one to the next, the film refuses hierarchy, unfolding instead like the pages of a single book written by multiple hands.
Judith and Menahem met in 1959, and wed within weeks. They are fire and water, ghormeh sabzi and gachun, yet somehow have survived 67 years together.
A chance encounter brings Mer and Earth into each other’s lives, and before long, they find themselves becoming someone special to one another. Yet, what lies between them remains difficult to define. But when Venus, a figure from Earth’s past, reappears, old feelings begin to resurface. Caught between the one standing by his side and the one he has never truly let go of, Earth finds himself shaken by his own uncertain heart.
Horše Hiyis is a short film about intergenerational relationships to fire and to each other that are nurtured on rematriated land.
Adam must retake his body from the AI occupying it to save his best friend from himself.
Indigenous men go in the bush to discuss the problems facing the people in this day and age.
Some teenagers are trying to do a documentary about André Severo, the biggest artist from the serra gaúcha.
They come from Iraq or Afghanistan. Some have rebuilt their lives in Europe. Others have never left their country, making the journey to Mallorca all the more extraordinary. The film follows eight women lining up at the start of Mallorca by UTMB for the very first trail race of their lives.
In the remote Accursed Mountains of Kosovo, former junior ski champions Seb and Hamda have built an off-grid freeride lodge in search of something they lost long ago. Through breathtaking mountain landscapes, snowboarding and deeply personal memories, the film traces their journey from childhood dreams, through the upheaval of war in the former Yugoslavia, to the creation of a place built on friendship, freedom and belonging.
Aviva is excited to bring James to his first Passover Seder, until her parents admit that grandma has no idea that her potential future grandson-in-law isn’t Jewish. Determined to keep the peace, Aviva’s family attempt to pass James off as ‘one of us’.
In 2005, a group of up-and-coming filmmakers based in Lower Manhattan set out to make an independent horror film called Mulberry Street, in which a virus turns ordinary New Yorkers into rat people. 20 years later, they reflect on the making of the film and what it has to say about the evolution of New York City.
