Now Playing Movies

From the Rai Arturo Toscanini Auditorium in Turin, the Rai National Symphony Orchestra, conducted by Giuseppe Mengoli, performs Arvo Pärt’s *Fratres*, Antonio Vivaldi’s *Stabat Mater* (featuring countertenor Carlo Vistoli), and Ludwig van Beethoven’s Symphony No. 7 in A major, Op. 92.

A young woman struggling with her relationships meets an old friend in her childhood treehouse.

After hundreds of bad dates, a chance meeting brings two people, in the same boat, together.

A college student takes part in an experimental trial granting him a perfect duplicate of himself to help make his life easier.

A human in the year 2038 is looking for food. But then the zombies get him. So he has to survive off of Zombie.

During a small celebration between three gay roommates, the arrival of a stranger met through a dating app destabilizes their intimacy, turning desire into a dangerous game of trust.

Do you need drugs to have ecstatic sex? The documentary F*CK DRUGS explores (group) sex under the influence of drugs, a phenomenon that is becoming increasingly common among queer men. The film follows Davo (22), Anthony (35), and Erik (61) and shows how they explore and push their boundaries further and further within the world of chemsex. Is it about boundless pleasure and sexual freedom, or rather about inner emptiness and the fear of true intimacy in a time of individualism and increasing loneliness? The documentary examines the world of chemsex in a liberating, honest, and ecstatic, but also critical and confrontational way. In doing so, the film poses the question: is there a way back after sex under the influence of drugs?

Coco's Moon is a feature-length fiction film that tells the story of a man who falls in love with the Moon. What hidden desires manifest in a being who seeks love in the cosmos? A dramatic comedy that flirts with magical realism and absurdity, typical of the Selenophilic relationship of Coco -our protagonist- and the chaos in the family and social world.

A docudrama, timed to coincide with the centenary of Eisenstein's "Battleship Potemkin", attempts to answer various questions regarding the phenomenon of this celebrated film.

When comedian Megan Gailey set out to film her first hour long special the goal was to make it special! To Megan that meant shooting in her own driveway in front of fans, her husband and toddler. And being 8 months pregnant.

Professional Assasin duo Disruptor and Stephanie gets sent on a mission to buy cheese from the black market. That's got to be the easiest job ever, right?

Love, friendship, and destiny collide in Sakhe Ga Saajani. When two hearts bound by deep emotions are tested by circumstances and life's unexpected turns, they must confront their past and choose between love and sacrifice. Set against a backdrop of relationships, dreams, and difficult choices, this heartfelt story explores how far one can go for the people they love.

"Finché morte non ci separi" is set in Paradise, where Delia (Carla Signoris) enjoys the peace of the afterlife reading and learning English. Her tranquility is disturbed by the arrival of Lidia (Amanda Sandrelli) who claims to be her soulmate. However, Delia is confused. If her soulmate is here, what happened to her husband Andrea? (Davide Gaudiosi). The Lost Souls office might be able to help her understand: the Angel (Filippo Scicchitano) in charge of the office gives her unexpected news—not only has Andrea been dead for quite some time, but he's in Hell. To convince Delia that this isn't a mistake, the Angel shows her her husband's "soul statement," and then, faced with her continued disbelief, allows her to revisit some scenes from her past as a young woman (Francesca Blasutig) with him. Delia chooses to take a risk by accepting the possibility the Angel offers her: to return to her previous life to try to rewrite her own story.

The Red Wolf was tattled on for something it didn't do and now it's in time-out.

A Romanian-Canadian only child navigates his final year of university.

Sam dreams of past filmmaking endeavors with her college friends.

The announcement of the opening of a centre for asylum seekers causes a stir in a small Swiss village.

In this late work (made with Azazel Jacobs’s participation), Ken Jacobs returns to an earlier (and frequent) subject, the bric-a-brac-laden loft in which he and Flo lived, and from it he derives a lacunar, fragmented, sculptural reenvisioning of on-screen (and domestic) space. Made in 2024, world premiere at Film at Lincoln Center on April 20, 2026.

A film club hosts a 48 hour film fest every year and heist film enthusiast Amber is determined to win. When an unlikable member of the club is assigned to write this year's film prompts, Amber has an idea: a heist to get the prompts early. In order to get these prompts she needs help. Amber teams up with quiet club member Max. Amber's over hyper and judgmental personality with Max's quiet demeanor is a strange combination, but their goals align and this heist may solve everything for them.