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Morgan is so happy when Elaine is happy, nobody better get in the way of that...

On a seesaw, Sun and Moon rise and fall, witnessing four feasts and festivities spanning four millennia, where the living and the dead, gods and ghosts unite in a simple, shared joy.

Following routine, Mai has prepared breakfast, made coffee and packed school lunches. While her mother can’t get out of bed, Mai tries to make sure her little sister Louisa has a perfectly normal morning. But the two need get to school, and time is running short once again. Under mounting pressure, Mai is unable to play the adult today. For the first time, it’s up to Louisa to step into that role. Feeling betrayed and abandoned by her big sister, Louisa bravely takes on the new challenge – even as the sisters’ otherwise strong bond threatens to cracken.

Nine-year-old Milo lives in a remote Argentinian village where he studies the Malambo, a folk dance full of bravura. He is an excellent dancer, but Milo’s only desire is to escape the countryside on a train for the Buenos Aires of his dreams.

The small, seemingly disconnected joys of three men and women gradually intersect in the wake of a major incident that threatens the world.

Seeking to bring the dead back to life, Bari ventures into the underworld in pursuit of a life-giving flower. Yet her journey is driven not by heroic sacrifice, but by an escalating and uncontrollable obsession. She enters an eerie realm where life and death coexist on a horizontal plane, and as her desire consumes her, she is forced to confront the impossibility of fulfilling it. Trapped in an endless cycle of longing and loss, Bari can do nothing but repeat her journey.

After retiring in 2022, Squel Jorgea decided to return to Rio’s Carnival. A flag-bearer for over twenty years, she began her career at Grande Rio, where she danced for eleven seasons and became the first to represent both Mangueira and Portela, the two most traditional samba schools. After navigating single motherhood, she has rediscovered the physicality, movement, and strength that established her as a leading figure in the art form; she now dances a theme inspired by the book "Um Defeito de Cor", a son’s letter to his enslaved mother, a narrative that deeply resonates with her own life story. Between the silence and the beat of the drums, her dance transforms into a ritual, an act of resistance, and a celebration of Afro-Brazilian culture.

Sara, a tormented special effects makeup artist, plumbs the depths of her subconscious to confront her complex relationship with her appearance, reconnect with her identity and – if she can – find her way to self-love.

Interwoven Intervals finds a new form between weaving, drawing, and cinema, intersecting graphic approaches to sound and film materials with the machinic manipulations of textile production, printing, and cinema.

This documentary short examines the special train on which mail is sorted, dropped and collected on the run, and delivered in Scotland on the overnight run from Euston, London to Glasgow.

Low-level drug dealer and struggling weekend dad Sami faces the ultimate choice after winning 10 mil. in the lottery. Chased by a criminal network, he must flee Copenhagen with the ticket in one hand and his eight-year-old son in the other.

When a musician's composition achieves unexpected digital virality through a café waitress's unauthorized cover, a commercial strategist orchestrates a collaborative duet between the two artists, igniting an interpersonal conflict driven by their sharply contrasting professional objectives.

prepared and presented by Nigussu Film Production

The devastating forest fires in Los Angeles are described in three acts.

Herman is a computer programmer and the father of a one-year-old daughter. When Lok appears, claiming to be his half-brother and pressing him about their father's death, Herman's everyday life begins to unravel. Then one day, Lok, who has been hovering around Herman and relentlessly triggering his trauma, suddenly disappears.

An essayistic film about the very core of humanity: we are beings created to live with and on the Earth. Yet still, despite knowing better, we destroy the very foundations of our existence. The film accompanies protagonists from the fields of philosophy, agriculture and forestry, and architecture. Their work has the potential to initiate necessary processes of transformation. Their stories are placed in a broader context: the individual as part of the whole, connection and belonging.

Already feeling like a fish out of water among his straight, British-Jamaican clan, Drew’s anxiety spikes when someone steals the speech he’s meant to give at his sister’s wedding.

A walk through memory as an attempt to say to someone gone what was left unsaid.