"Au Hasard" is a nine-minute experimental essay in perceptual control. Projected through overlapping red and blue image streams, the film uses colour-filtered glasses to divide the audience’s visual experience. Two people seated side by side may watch the same screen...but not the same movie. Blending archival propaganda, poetic narration, and formal play, the film explores how missed information is often the root of misinformation. Evoking Godard with a touch of William Castle, "Au Hasard" is both a cinema of ideas and an act of cinematic misdirection.

After Apollo 13’s hypothetical success, a NASA veteran and an engineer clash over plans for a permanent base on the moon. One sees it as humanity’s next step, but the other sees it as a dangerous act of hubris. Their debate becomes a meditation on progress, pride, and the cost of reaching too far.

The parish priest Gard-Aune is forced to choose between his love and his faith, but news both good and bad gives him new perspective, and changes his view on life for good.

We follow Čan Martin, a 14-year-old snowcross rider from Kautokeino, as he navigates the challenges of this high-risk sport with the dedicated support of his family and local community. This short documentary is an inspiring story about pursuing dreams, overcoming obstacles, and the strength of family unity.

UFC Fight Night 266: Bautista vs. Oliveira (also known as UFC Fight Night: Bautista vs. Oliveira and UFC Vegas 113) was a mixed martial arts event produced by the Ultimate Fighting Championship that took place on February 7, 2026, at the UFC Apex in Enterprise, Nevada, part of the Las Vegas Valley, United States.

The award-winning Swiss architect Barbara Buser saves buildings from demolition and rebuilds them with reused materials. She transforms former industrial sites into urban living spaces that symbolize a careful approach to our environment and to each other. As a woman who is successfully forging her own path in a male-dominated field, Barbara Buser is a role model for the younger generation, who are fighting for a more sustainable, fairer world.

Origins draw circles, language shapes memory – and sometimes the feeling of being different remains. Some lose their origins, others carry a heavy family legacy, still others feel foreign in their own land. Writer Pedro Lenz looks back with gentle humour on childhood and dialects, composer Charles Uzor makes his longing for home tangible. Director Hao Hohl guides us through a mosaic of moments about belonging and what connects us.

Hundred-year-old Edith Ballantyne fled from the Nazis in 1938 and found her purpose as president of the Women's International League for Peace and Freedom. As an ally of the United Nations, she influenced the international peace movement and brought millions of people onto the streets for disarmament. Horrified by the escalating conflicts in Ukraine and the Middle East, she now joins fellow activists in calling for dialogue.

The reputation of Zurich's Schauspielhaus theater is based on figures such as Bertolt Brecht and Therese Giese, who turned it into a bastion of cultural resistance during the Nazi era. After the war, the global successes of Max Frisch and Friedrich Dürrenmatt consolidated this reputation. But the architect of this glory has been forgotten: Kurt Hirschfeld.

As long as Kweku Adoboli's activities bring in millions for UBS, he seems to have a bright future ahead of him. But when the young trader takes sole responsibility for a $2.3 billion loss, everything changes. The film challenges the usual narrative of events. It reconstructs the legal proceedings based on the original court records and, in doing so, raises more questions than it answers. “The Narrative” is a film about responsibility in the workings of global capitalism.

In a world where we often experience places on screens before we actually visit them, the film questions the fine line between perception and reality. The film consists exclusively of online reviews and comments – voices that together form a multifaceted mosaic. But what remains of a place when algorithms guide our expectations? An invitation to re-examine our own perspectives.

When his two daughters were born, the filmmaker felt an urgent need to return to the valley. The valley of his childhood, of happy summers spent in the mountain pastures, but also the valley of a rupture: the downfall of his alcoholic father.