A Stranger Calls from Beyond the Crimson Room

Coming from outer space, an intergalactic cow invites BoOzy’ OS to join the biggest animation film festival of the universe. BoOzy’ imagines himself winning the competition and decides to seek the famous "Cristal" of Annecy, with the help of OSmic the Hedgeh' OS and other cool dudes. But the dark paunchy Mari' OS is determined to recover the loot before him.

A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.

Almost as soon as Jake and Cassie decide to get married on Christmas Eve, complications arise.

Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.