Ojosama Gokudo Team Leader

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

A high-school girl inherits a declining yakuza organization, which seeks to repair its fortunes under her leadership.

Ichi is a blind entertainer that travels the countryside with her traditional Japanese guitar and walking stick. She’s in search for the kind man that brought her up as a child, but because of her beauty she encounters problems every step of the way. Fortunately for Ichi, she is also a gifted swordswoman and carries a lethal blade within her walking stick.

Raku Ichijo (Kento Nakajima) is an only son and a high school student. His father is the leader of yakuza group Shuei-gumi. Raku Ichijo doesn't like to fight and he studies hard. His dream is to become a public official. One day, he passes the entrance gate at his high school and is kicked inadvertently by Chitoge Kirisaki (Ayami Nakajo). She is a new transfer student at the school. Chitoge Kirisaki is the only daughter of a rival gang leader. To keep the peace between the rival gangs led by their fathers, Raku Ichijo and Chitoge Kirisaki decide to act as boyfriend and girlfriend. --asianwiki

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.