A Geisha on Horseback

In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.

Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.

A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.

After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.

Can a woman love two men at the same time? Set against the backdrop of Kyoto's rich history, this story depicts a woman's difficult choice for love. Ayako, played by Yukiyo Toake, is an international conference coordinator. Torn between her childhood sweetheart (played by Kenji Sawada) and her English professor (played by Noboru Nakaya), Ayako will seek answers to love, marriage, and choice.

Umekichi, a geisha in the Gion district of Kyoto, feels obliged to help her lover Furusawa when he asks to stay with her after becoming bankrupt and leaving his wife. However her younger sister Omocha tells her she is wasting her time and money on a loser. She thinks that they should both find wealthy patrons to support them. Omocha therefore tries various schemes to get rid of Furusawa, and set themselves up with better patrons.

The film stars two of Itami's regular actors, Nobuko Miyamoto as a geisha who brings luck to the men with whom she sleeps, and Masahiko Tsugawa as her unfaithful, sometimes partner. As well as showing her relationships with the man she loves and the men who employ her, it satirizes corruption and the influence of money in Japanese politics.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.

Country bumpkin Haruko only ever wanted to become a maiko, an apprentice geisha. Initially rebuffed for lack of references, Haruko's strong accent intrigues a linguistics professor, who undertakes to coach her.

Yokiro was the most successful Geisha house in Western Japan during the first half of the 20th century and remains open to this day. At its peak, it was home to over 200 geisha, however behind the fabulous facade, there were many battles - between family members, men and women, and with the Yakuza. Momokawa was sold to Yokiro at age 12, and despite being the top geisha, her many complicated relationships provide unending challenges throughout her glamorous but turbulent life.

Pinkerton marries Cho-Cho San in Japan, whilst on shore leave. When he leaves, she keeps his Japanese home as he left it. He returns three years later, having married again in America, and tells Cho-Cho that their affair is over. She has had a child in his absence, who is sent to her family, before she kills herself.

In a continuation of "Utopia: Midnight Story, White Flower Bud" Haruka Ichijou follows through in her vow to become the No1 Geisha. She develops intricate schemes and mindful manipulations in changing her "Papa-san's," or Sugar Daddies, on her way up the modern geisha ladder. After she pits one against the other, the men begin to compete for her in elaborate and very expensive ventures, and their fight to win her for their prize in all-consuming frenzy becomes the focus for the No1 Spot. A barrage of young geisha's karate fighting seals their fate at last!