Les Trois Cousins

Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother's funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague. He quickly slips back into his usual routine.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.

After an emotional exchange between a Lebanese Christian and a Palestinian refugee escalates, the men end up in a court case that gets national attention.

An Iranian family survives the shah and the ayatollah and moves to France. This story follows the family through it all. Despite the politics, revolution, prison, beatings, assassinations and suicides this is a comedy.