Iter

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

A woman who is unfairly institutionalized at a Paris asylum plots to escape with the help of one of its nurses. Based on the novel 'Le bal des folles' by Victoria Mas.

U.S. Navy pilot Lt. Jake Grafton and his bombardier buddy, Lt. Cmdr. Virgil Cole, are two soldiers embedded in the Vietnam War growing frustrated by the military's constraints on their missions. Despite the best efforts of their commanding officer, Cmdr. Frank Camparelli, to re-engage them, this disillusioned pair decide to take the war effort into their own hands with an explosive battle plan that could well get them court-martialed.

An unhappily married woman devises a scheme to get rid of her husband.

A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.