Friday the 13th II

A series of murders called 'the suicide syndrome' occurs everywhere at the same time and Phillip and Cheong-ha, who have been investigating the cases, disappear.

Inside and outside the well-kept hedges life carries on as usual. The King buys his daily newspaper. Bertil searches the parking lot for dogs to photograph. Hans and Gun-Britt is planting a big, but still too small rock in their garden. Trying to get their minds off it all. As darkness falls over the little village in the woods, the Indians gather for a meeting in the town house as angst, frustration and silent prayer echoes in the night. With visual precision and attention to detail, director Mikel Cee Karlsson captures people and their existence in a small village deep inside the Swedish forest. Over a period of four years, the music video director and former professional skateboarder Mikel has been capturing singular scenes from a part of today’s Sweden where reality inexorably seeps in behind the colourful fasad. With a mixture of playful precision, humour and melancholy he portrays people’s dreams, their relationships and everyday destinies.

The Landrys are blindsided by news of their son's behavior, and must rally to find their way amidst comical family dysfunction.

"Fathers and Sons" is a short documentary project of Kaan Müjdeci that was shot in 2012 during the research for director's first feature film entitled SIVAS. Fathers and Sons tells the story of kangal dogs and their owners. Kangal is a breed of shepherd’s dog, unique to the land of Anatolia. The owners fight their kangals and make money off them from bettings. However, they treat and take care of their dogs like their sons, sometimes even better. Even though their sons may get hurt, a father still takes pride in having sent his son to the military, doesn’t he? Fathers and Sons is about the duality of this father-son relationship. But after all, every father would like to be proud of his son.

With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.

This 12-minute Brazilian short film employs the found footage style in a slightly different way. The film is presented as a merge of two separate files extracted from the police archives in Sao Paulo, Brazil. On the first one, two policemen talk to each other, while watching and analysing images captured by surveillance cameras that shows a woman being stabbed to death by a couple, just before the two aggressors get killed by a mysterious man that shows up at the place. The second portion of the movie shows the intriguing facts that happen during a police raid on the apartment where the suspect of killing the previous couple lives.

It started with the rape of his daughter then the killing of her boyfriend. He takes the law "Death Wish" style into his own hands and has his revenge. Branded as a vicious killer by the underworld, the syndicate blackmails him into becoming their hitman. As he gets more and more tied up in the world of drugs, prostitution and death he decides he wants out. No one gets out of the syndicate alive. It then becomes a battle for survival, him against them in a desperate act of street warfare. His life is he prize.

A family of a father, a mother and their son is looking forward to go on vacation. On the way they experience an accident, and their lives are suddenly and unexpectedly turned upside down.