The Rascal

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

A portrait of teen escort, 'Coco'.

The story is about some close friends who go to their friend's wedding. They go there and when they go to the bathroom, they find a stairwell and use drugs there. They take the groom (their friend) there and the groom.

This is Egypt and one of its symbols, Sad Al-Ali, the massive wonder that is the high dam of Aswan. With a first-person narrative in a soft, husky voice, the film explores the memory of the Nile Valley to tell the story of Lake Nasser and the ecological and human consequences of this construction. Floods caused by the Ethiopian rains spread the silt and evacuated the algae. The order of nature was disrupted, the salt rose and cracked the earth, the crops burned. Sea water reached the water tables. The Nubians fled the valley engulfed by the waters, leaving behind their villages and their culture. Twenty-five years after the construction of the dam, there is no longer any coherence between the lower valley and the Nile. The city of Cairo has expanded, a heterogeneous development where human pollution overflows. The film is a bitter reflection on a lost human philosophy, a dialogue constantly renewed with the land and its river.

In the shadows of the outskirts of Oslo, every criminal has their place until the economical meltdown. The luxury prostitute Wendy might have the key to the problem, or at least to the heart of the bank, the criminals and even the police.

From the birthplace of boxing legend Mike Tyson, young women brawl in secret fight clubs to win $1000 and invaluable street cred.

A murderous sociopath (and former battered child) uses her naive younger brother in a scheme to do away with her inconvenient lover.