Beasts Clawing at Straws

Ten years have gone by since Elena's six-year old son has disappeared. The last thing she heard of him was a phone call he gave her, saying that he was lost on a beach in France and couldn't find his father. Nowadays, Elena lives on this same beach and manages a restaurant. She is finally beginning to emerge from this tragic episode when she meets a French teenager who strongly reminds her of her lost son. The two of them will embark on a relationship which will sow chaos and distrust around them.

Driven by desire and desperate for self-love, Coral and Nicolás will abandon their past lives in a journey surrounded by murder.

Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn't give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game which he is a part too.

Four middle school students, who are the members of a photography club receive an old-fashioned analog camera from their teacher. The teacher asks them to take pictures of 'the end of the world' during summer vacation. While they discuss where would be the end of the world, as one of the girls suggests, they just get on the subway to go to the very last station.

Over a trio of summers, a caretaker for luxury condominiums relies on her resourcefulness and her eye for opportunity to take advantage of whatever comes her way.

The world's first human-android acting duo, called Android Theater Project, is the collaborative brainchild of noted Japanese playwright Oriza Hirata and the leading robotics scientist Hiroshi Ishiguro. "Sayonara" is a remakable android play and has been adapted to feature film by the acclaimed filmmaker Koji Fukada (Hospitalité, Au revoir l’été). In this film project the setting of the story is largely expanded, depicting time and space in a way which can only be achieved in film, examining life and death though the communication between dying human and immortal android.

Alone for the first time and away from her family in rural Philippines, Rosa Dimaano arrives in the cosmopolitan city state of Singapore to work as a maid. Her employers Mr and Mrs Teo runs a Chinese Teochew dialect opera troupe takes well to their new domestic help. So do their mentally disabled son, Ah Soon. In Chinese superstition, the seventh month of the lunar calendar is regarded as the month when the gates of hell open for forsaken spirits to walk the earth for 30 days. Unknown to Rosa, she arrives on the eve and her hell is about to begin.

Yong-soon is an 18-year-old high school student. She falls in love with her gym teacher, but she thinks her teacher might have a girlfriend. Yong-Soon and her friends try to find out whether he does have a girlfriend, but they can't find any clues. Making things worse, her father brings a new stepmother from Mongolia.