The Dream Vagabonds

In Old Wyoming, a gang is plundering stagecoaches of shipped currency and a crusading newspaper editor is trying to get the local marshal replaced, because of his apparent failure to catch the gang, which seems to disappear into thin air after every robbery. The situation escalates when one of the stage drivers is mortally wounded; so the marshal sends for his friends, the Range Busters, to help him catch the criminals. Meanwhile, even the marshal's fiancee, the editor's daughter, turns against him in favor of an aggressive agitator for law and order - who secretly is leading the robber gang.

SITTING ON THE EDGE OF MARLENE is a darkly comedic feature film drama that centers on a mother-daughter con artist duo. An adaptation of the Billie Livingston novella titled The Trouble With Marlene, it is a bittersweet and emotional journey that deals with dysfunction, love and addiction and ends with an unusual deliverance for the compelling mother and daughter duo.

A dishonest undertaker stirs up droll, laughable tragedy between two devoted husbands and their loyal wives in his attempt to build up an insurance sideline when the undertaker business fails.

The 16mm short film ""Fish and Cheese"" is a sentimental observation showing the short-lived friendship between two girls. A dreamy view by the first-person narrator of an undefeatable girl, Vittoria, who remains like a souvenir even after she is gone.

As we wait to see whether Rupert Murdoch will fall from power and lose control of News International, Every Day is Like Sunday tells the forgotten story of the dramatic downfall of Cecil King—the newspaper mogul who used to dominate British media in the 1960s, before Rupert Murdoch arrived.

A woman who is trapped in a boring routine working in a slaughterhouse finds an unexpected opportunity to change her life. Marta Bayarri and Pepo Blasco star in this short film. Directed and written by Marta Bayarri.

Hans Christian Andersen's fairy tale is told here as a digital theater piece. The visual point of departure is fashioned by découpages created by Queen Margrethe II of Denmark, who is also the narrator. The découpages serve to establish the mood around the story of the children, Kaj and Gerda. They consist of a countless number of clippings, which are subsequently subjected to the processes of computer animation and mixed with graphics, live actors and music into an unique fairy tale universe.