The Baby Doll Night

In the spring of 2003, three young filmmakers traveled to Africa in search of a story. What started out as a filmmaking adventure transformed into much more when these boys from Southern California discovered a tragedy that disgusted and inspired them, a tragedy where children are both the weapons and the victims. After returning to the States, they created the documentary "Invisible Children: Rough Cut," a film that exposes the tragic realities of northern Uganda.s night commuters and child soldiers. The film was originally shown to friends and family, but has now been seen by millions of people. The overwhelming response has been, "How can I help?" To answer this question, the non-profit Invisible Children, Inc. was created, giving compassionate individuals an effective way to respond to the situation.

Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

Three soldiers make their way into a city occupied by the Nazis.

The Sultan is not a very happy man. He charges his royal jester to make him laugh before sunrise or die.

"THE WORST NIGHTMARE RESTS WHERE NOT EXPECTED" After being released from a mental institution, Milla is taken to her new home by her husband Gregor and their daughter Madleine. As they settle in the new house, Milla experiences a series of events, that may be supernatural or in her head. The key to this phenomenons are the holes in the wall, that keep constantly staring at her. Somehow she feels watched through the holes, that appear to breathe and replicate through the house - although Milla doesn't witness a ghost, she feels it. It tries to remind her of something long forgotten. As Milla's broken mind made her vulnerable and susceptible to whatever ghosts may haunt her house, it becomes more and more difficult, to say what is alive and what is an echo. In the end Milla finds out, that the ghosts are a manifestation of her pain, that has built the home she lives in.

A group of young railway enthusiasts attempt to stop the closure of the local railway by trying to raise money to buy it and the steam engine "Matilda." They get help from a pair of men claiming to be enthusiasts but who turn out to be robbers who plan to hold up the mail train