Art of Love

A group of holidaymakers have booked themselves a dream trip with the Wild West White Water River Boat Company. Their journey will take them along the great Colorado so they can experience first hand the beauty of the Grand Canyon and the ferocity of the water crashing over the rapids. Once they are well away from civilisation, things take a turn for the worse as it's realised that someone on board has their own reason for wanting to be stranded in the Canyon without interference from the authorities. Before long, the group begin getting bumped off one by one by an unseen maniac with a hunting knife and a murderous agenda. It seems that the killer wants to turn the mighty Colorado into a river of blood…

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

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A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains to eat human flesh.

Modern relationships are examined in this comedy drama.

This documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.

In a world where society is controlled by a totalitarian regime and children are the tool of ideological formatting, Isa realizes that her child is different from the others and that this will bring consequences to her life.

The boys dance to Grandpa's banjo playing, then indicate that he can't equal their skill. Grandpa gets up and performs an intricate step while still playing the banjo.