40 Nights

A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.

Set during a retreat of Christian Democrat politicians who practice spiritual exercises together, it is an allegory of corrupted power. Disturbing, claustrophobic settings are the background to a series of mysterious crimes.

Doctor Sanada treats gangster Matsunaga after he is wounded in a gunfight, and discovers that he is suffering from tuberculosis. Sanada tries to convince Matsunaga to stay for treatment, which would drastically change his lifestyle. They form an uneasy friendship until Matsunaga's old boss Okada returns from prison.

Sebastien Grenier, a former French spy, is working as a financial analyst in Zurich. However, his peaceful existence starts to disintegrate when he is recruited by a top French intelligence operative to discover how one of their own secret agents was found out and executed in broad daylight.

A big-city cop is reassigned to the country after his superiors find him too angry to be an effective policeman. While on his temporary assignment he assists in a manhunt of a suspected murderer.

Francis is a young gay man, Marie is a young straight woman and the two of them are best friends -- until the day the gorgeous Nicolas walks into a Montreal coffee shop. The two friends, instantly and equally infatuated, compete for Nicolas' indeterminate affections, a conflict that climaxes when the trio visit the vacation home of Nicolas' mother. The frothy comedy unfolds through narrative, fantasy sequences and confessional monologues.