Breaking Point: The War for Democracy in Ukraine

A boots-on-the-ground documentary following animal rescue and humanitarian aid during the Ukraine War. Edited together with various news coverage of the conflict, the story unveils a portrait of war's most insidious weapon: dehumanization. This film was made entirely non-profit by independent journalists and activists.

In a series of letters to her young son, a mother, soldier and filmmaker documents her thoughts from the Ukrainian frontline.

In his own way, Anatoli Ljutuk is a legend of Tallinn's Old Town - a man from Western Ukraine who has built a unique world on Laboratory Street, the main core of which is the Ukrainian Cultural Center and Church. There, he engages in calligraphy, makes paper in a medieval way, carves traditional wooden toys in his workshop and makes books in the spirit of old monasteries. According to the oath taken a quarter of a century ago, he has promised to create something good every day. His daily commitment is challenged by the war that broke out in Ukraine, which Anatoly cannot passively ignore.

This film is an uncompromising portrait of a woman who no-one could have imagined in a position of power a few years ago . A look at the woman and, through her, at the party that continuously raises concerns and stirs up the media.

Returning to Kyiv to search for his missing dog during the Russian invasion of Ukraine, director Stas Kapralov documents his journey as he joins forces with volunteers and becomes part of a movement to rescue animals caught in the crossfire of war.

In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.

"Revealing Ukraine" by Igor Lopatonok continues investigations on of the ongoing Ukrainian crisis following "Ukraine on Fire". In addition, it analyzes the current political backstage and its dangerous potential for the world.

There are things that are indescribable and unspeakable when the disasters that affect our lives are beyond comprehension. Certain fundamental experiences seem irreducible to any form of expression. So how do we convey their intensity? How do we put them into words? Here, we’re talking about the war inflicted on the Ukrainians for over a year. Daryna Mamaisur is Ukrainian and currently lives in Portugal. O Fumo do Fogo, somewhere between a film diary and an essay, sketches with admirable reserve a path towards the possibility of communicating.

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.

A year ago, on 29 December 2019, prisoners were exchanged with the self-proclaimed ‘LPR’ and ‘DPR’. Among the Ukrainians who returned home were journalist Stanislav Aseyev, tanker Bohdan Pantiushenko, and human rights activist Andriy Yarovoi. Four months earlier, on 7 September, Crimeans Oleg Sentsov and Oleksandr Kolchenko were released from Russian colonies. We spoke to the former prisoners about their first year of freedom.

Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv, Ukraine.

Ljudmila Ignatenko tells the story of her and her husband Vasilij, a firefighter who was one of the victims of the Chernobyl disaster in 1986.