'Weird Al' Yankovic: White & Nerdy

The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".

The story of the rise and fall of the Pre-Fab Four.

An all-singing, all-dancing, star-spangled musical leap around the biblical story of the Nativity, set in 1972. With a comic twist, this familiar story is brought to life through the eyes of the innkeeper. Despairing after a bad year, he contemplates suicide but his attempt is stalled by a voice from above who points out that King Herod is coming to town.

This hilariously smart satire tells the story of Johnny Vince, a swingin' hepcat who meets hitman Sam and Harvey on a road trip to pull a "botched robbery" in Las Vegas. Along the way they take a deeply unfulfilled not-so-good-girl hostage, encounter the mysterious Mechanic, get harassed by a foul-mouthed answering machine... and did we mention the lesbians? The result - hilarity ensues!

A comedy/musical utilizing both new songs and parodies from the original (Gilbert and Sullivan's Pirates of Penzance), as well as references to popular films of the time, including Star Wars and Raiders of the Lost Ark. In your typical boy meets girl, boy loses girl, boy fights girl with swords plot, the story revolves around Mabel ...

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

Set in Prohibition era Chicago, bootlegger Robbo and his cronies refuse to pay the greedy Guy Gisborne a cut of their profits after Guy shoots mob boss Big Jim and takes over. When Big Jim's daughter, Marian, gives Robbo a large sum, believing he has avenged her father's death, the gangster donates to an orphanage, cementing his reputation as a softhearted hood.

Twenty-three years after the release of the original Beatles mockumentary, 'The Rutles: All You Need Is Cash', famous artists, actors and musicians speak out on how The Rutles influenced them.

In this made for Showtime television spoof of Madonna's "Truth or Dare" documentary, comedienne Julie Brown portrays Medusa, an egocentric, hyper-sexual (and not particularly talented) pop star on an international five-day world tour, "The Blonde Leading the Blonde" show. Brown painstakingly duplicates costumes, sets and hairstyles while spoofing Madonna's seeming self-obsession. Madonna visits the cemetery where her mother is buried; Medusa visits the pet cemetery where her dog Buster is laid to rest. (Or is it "Boomer"?) Madonna performs fellatio on a bottle, at the dare of a friend; Medusa does it on a watermelon. And so on...