Pousse, mais pousse égal

Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.

At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?

Unlucky in love, Alfred tries to commit suicide, only to be thwarted by police efforts to prevent a simultaneous attempt by a nearby young woman. Recovering, the young lady puts him up at her house, as he has run out of places to live. He joins a Parisian sporting team and seems to have transferred his bad luck to a corrupt television boss who is attempting to manipulate the game so that Alfred's Paris team loses.

Fred, Achille, Max and Belette form a good-for-nothing gang of crooks. Dismally failing their last raid, they decide to get back in the game, kidnapping Sophie Marceau.

Long married 50-somethings Brigitte and Xavier are prize cattle breeders in regional France. Life is good, but the departure of their children from home has thrown Brigitte’s world into flux, as she finds herself locked into routine. She keeps hoping for something else, something more. A party held by students on the adjoining property accelerates this latent crisis and Brigitte impulsively sets off for Paris under the guise of a doctor’s appointment. The city immediately invigorates her, and when she meets a charming Danish gentleman, she impulsively allows herself to be flattered by his attentions…