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Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.

Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.

The world is burning up, icecaps melt, floods drown the landscape and people starve. These images are from a Shakespearean speech that dates from the seventeenth century. Climate change today has twisted the seasons beyond recognition, and the Bard's words describing a 'mazed world' are more relevant now than ever before. 'The Seasons Alter' is a vivid short film that uses Shakespearean poetry in the mouths of a modern family to illustrate the most pressing environmental challenge of our time.

After successfully curing a primate's heart condition, Dr. Henry Jeckyll develops a personality-enhancing serum for himself which inadvertently creates an evil alter ego personality, Edward Hyde, who sets out to terrorize college co-eds.

In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.

Fight Club was a two-day professional wrestling pay-per-view (PPV) event promoted by Game Changer Wrestling (GCW) that was held on October 8 and 9, 2022. Both nights of the event were held in Atlantic City, New Jersey; night 1 of the event took place at the Garden Pier at the Showboat while night 2 was held inside Showboat Hotel itself. The event aired on PPV via the FITE TV service.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri