Queen of the Night Clubs

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles – even if just for a moment – by dreaming up little numbers to the rhythmic beats of her surroundings.

During his daily duties, Casey the Cop rescues a woman who's soon his sweetheart. Later, she learns from her banker uncle that her inheritance has been stolen, and he's accusing Casey's own cashier brother. Casey is on the case.

Male and female sales agents, Phil and Ruth, for rival hosiery concerns try to land an order. For a while Phil succeeds and puts on an exhibition but Ruby makes the mannequins use her own brand of hose, flirts with the buyer and wins order away from her rival.

Lydia Jansen is happily married to a young customs inspector, but she harbors a dark secret. She is addicted to smoking opium or in slang parlance “hop.” To keep her secret, she willingly pays the blackmail her maid extorts from her having learned of Lydia’s habit through her own fiancée who is part of the ring importing the devil’s brew. Something unknown to all is that the operation is run by Lydia’s father an important politician in the city where this all occurs. As her husband’s investigation tightens the noose on the organization Lydia faces a crisis.

The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.

Juliet, a white girl, falls in love with a dark-skinned romeo, a divine trumpet player from the Roma orchestra. But her father Satchmo doesn't accept Romeo. Romeo needs to fight for Juliet at the legendary Festival of the trumpeters in Gucha.

Muggsy Mulane, a waif who wears boy's clothing, jumps a freight train to the country after Jimmy "the Eel," the leader of the gang of crooks with whom she works, is arrested. In the village of Cottonville, Muggsy befriends Aunt Sarah, whom she later discovers is Jimmy's mother. When Muggsy learns that the greedy Judge Cotton, who holds the mortgage on Aunt Sarah's property, is planning to foreclose, she threatens to blackmail him, and he relents.

Lisza Tapenko (Bara) is governess in the household of Prince Arbasoff (Charles Clary). After the death of his wife, Lisza and he become involved, but because of the difference in social station he refuses to marry her. Lisza's former lover, Vassya (Richard Ordynski), convinces her to join the revolution and she goes off to the group headquarters in Switzerland. But the prince's little boy begs to have Lisza come back, so he goes after her and marries her.

Based on the Rupert Hughes novel, this film concerns the German atrocities committed in Belgium at the beginning of the Great War.

Marion Clark, a manicurist, is unimpressed by the wealthy but dissipated men who frequent her shop, preferring city editor Dick Strong, who lives in her boardinghouse. Dick's sister Gladys, however, is intrigued by the wilder side of life in New York and allows one of the boarders to take her to a lively party.

Japanese poet Akira living in Tokyo, loves American Ruth Vale, who was placed in the care of Akira's father when her missionary parents died. Ruth returns Akira's affections until she meets Edward, but the American proves an unfaithful husband. Three years later, Ruth is gravely ill while Edward amuses himself with his new lover, Adrienne Chester, but Akira comforts the dying woman with the promise that he will protect her little daughter Blossom.

Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.