Ke arteko egunak

A film set in the Basque region, beginning in the Carlist war of 1875 and ending during the Spanish Civil war of 1936. The film portrays how one single act of cowardice shapes the life of the next three generations of two families and fuels the intense rivalry which will span the next sixty-one years.

Jone is a sixteen year old girl that lives in Bilbao (Basque Country) in 2009. In her highschool you can feel the independentist environment, demonstrations, strikes... are usuals between the students organizations. In this moment her dad starts to work int the Basque Government, between other things he has to go with body guards. This situation will change Jones life and she will have to learn to live between two worlds that she doesn't understand yet, and to understand that not everything is black or white.

A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.

A Basque mythological creature struggles to regain her power after a man steals her egg.

Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day he gets into a car with two other people. They cross the border between Spain and France. The next morning, their lives will change forever.

Election night. Aimar, leader of the left-wing Basque nationalist movement, returns home more tired than ever. Itziar awaits him, exhausted. At the entrance, the remnants of a protest by the radical youth of their own party. Aimar has to make a decision: Does he want to continue dedicating his life to the nationalist cause, even in the worst of times?

The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.

It's 8 AM in a summer morning from the 70's. Jon, an ETA member, is being chased by the police in the Old Town of San Sebastian. While he runs, he revises his whole life.

Amaia has just become a mother, and the challenge is even more significant than she imagined. So when her partner has to leave for several weeks because of his job, she decides to spend time with her parents in a lovely coastal village in the Basque Country and hopefully share the responsibility of looking after her baby. However, she forgot that even when one becomes a parent, one never stops being a daughter.

Spain, Basque Country, 17th century. At night and through the mountains, Kattalin escapes from her farmhouse and, while wandering through the deep forest, she senses a presence that stalks her.

In the year 2000, Maixabel Lasa’s husband, Juan Maria Jauregi, was killed by ETA. Eleven years later, she receives an incredible request: one of the men who killed Juan wants to meet with her in the Nanclares de la Oca prison in Araba (Spain), where he is serving his sentence after breaking ties with the terrorist group. Despite her reservations and her immense pain, Maixabel Lasa agrees to meet face to face with those who ended the life of the person who had been her companion since she was 16 years old. ‘Everyone deserves a second chance’, she said, when asked why she was willing to confront the man who killed her husband.

The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.