Nakshathrangale Kaaval

When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.

Ayyappan, a police officer, is an upright man who always strives to do the right thing. However, things change when a retired army havildar, Koshy, settles in his village and the two egos clash.

A divorced woman trying to get hired as a French tutor and teaching classical dance, and she has a daughter. Her brother Manuel also resides in a flat in Chennai. Their next door neighbours are Unnikrishnan, a retired Major who has a pet dog, Prabhakaran and Bibeesh who lives with a serial-actress aunt (not related by blood) and his young school going brother. The story revolves around the divorced mother and daughter finding happiness of love in their own ways. The film explores commonality of romantic love in different stages of life.

Jonathan Switcher, an unemployed artist, finds a job as an assistant window dresser for a department store. When Jonathan happens upon a beautiful mannequin he previously designed, she springs to life and introduces herself as Emmy, an Egyptian under an ancient spell. Despite interference from the store's devious manager, Jonathan and his mannequin fall in love while creating eye-catching window displays to keep the struggling store in business.

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.