Namnala

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.

Losing you until I lose myself, memories that were all left behind was the beauty of your eyes, me without you.

While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).

Sean is taken to a motel and is given a prostitute for his 18th birthday by his father. He must sleep with her to "fix" his questionable homosexuality. "Pretty Boy" is a coming of age story of a young bullied teen, Sean, struggling with his sexuality and the hardships of high school. After his father finds some questionable magazines in his room, this devout Christian will go to any lengths to get his son to find the light and "perform" the way a man should. Sean is introduced to Katie, a prostitute that understands the stigmas of modern society and helps him see the true light that is within him.

Francesca, tormented by her past, breaks the silence to talk about surviving the horrors of the comfort stations of Imperial Japan.

film about the situation of that Girls who face evil eyes daily on way. “Not every battle is fought with weapons; some are fought with eyes… and silence.” This film is a raw, unflinching portrayal of the everyday battles women face in a society where their existence is constantly scanned, judged, and violated by predatory stares. From streets to buses, offices to parks — no place feels truly safe. It’s a story of unseen wounds, silent fears, and a world where public spaces still belong to the audacity of shameless eyes. But in the darkness of this cruelty… rise a few hands. Hands that shield, voices that speak, and gazes that stand as a wall of dignity. This isn’t just a film — it’s a voice for those countless unspoken stories buried in the hearts of women. A message that must be seen, heard, and felt.

A black comedy about a man struggling to make a living by helping people kill themselves.

Reconstruction tells about a certain night in 1982, reconstructed in 2020 by the people who lived it through together. The film combines dance, drama and documentary, but most of all is a story of a friendship of a boy and a girl, and how jolly situations can turn sour and how, even though close, friends do not share same experiences – and that can have an effect on their friendship.

Biscut is a powerful film on the state of politics in Uttar Pradesh and offers a gritty and hard-hitting take on the treatment of the backward classes and their never-ending exploitation in the caste-dominated political landscape of Uttar Pradesh.

Thirteen year old Julija and her mother flee their abusive household to find refuge on an idyllic Croatian island where Julija grew up. Emotionally scarred, Julija is desperate to reconnect with her best friend, Ana. But Ana is in love with a boy and Julija is no longer a priority.

In a corporate world void of human interaction, Ennis has lost her ability to relate to others. When the company fires her and forces her into a crowded tenement building, Ennis must overcome her fear of human connection to begin again.

Kieran is making hard cash from a con he's recently developed: blackmailing married men out of a few hundred quid by claiming to be only 15 when he sleeps with them. It's not long before he ropes his boyfriend, Jamie, in for the ride but his first job goes terribly wrong. The couple are at odds and tension builds to an explosive point where Kieran confesses to having never loved Jamie to begin with. But when Kieran is arrested for a crime he did not commit and Jamie runs over to check if the police found the cash-stash, Jamie finds hidden evidence that Kieran really did care all along.