Shoah

An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.

A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.

Born with their immune systems damaged, Tom and Lola are doomed to live their lives in isolation, sealed in separate plastic bubbles. However, neither cold urethane nor chillier hospital technicians can keep down the beguiling spirit of these indomitable siblings.

An enthralling and fast-paced four-part documentary feature that covers the making of one of the last major Hollywood epics; Titanic. Cast and crew speak on setting the sinking of the ship against a classic romance. The feature also examines casting and the young couple headlining the film, DiCaprio's and Winslet's on-set friendship and their differing acting styles, the expansive sets and filming locations, the authenticity of the recreated ship, James Cameron's work and dedication, and budgeting. And many more aspects of the film are overviewed.

What does it mean, to go to the movies? Why have people been going for over one hundred years? I set out to celebrate movie theaters and their manifold magic. So I walked in the footsteps of young Paul Dédalus, as if in a filmgoer’s coming-of-age story. Memories, fiction, discoveries come together in an irrepressible torrent of pictures.

A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.

Little magic and plenty of imagination turns a young man's room into a hub where various adventures await him.