Reengineering SAM

Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.

Get behind the wheel alongside some of Ultra4's fastest teams as you ride along with an inside look at what it is like to run one of the hardest off road races on planet earth, the King of the Hammers. Over 100 teams would take part in the race that would determine who would be King in Johnson Valley, CA. In addition, motorcycle riders and stock/ modified vehicles from around the world would gather to compete in the newly created King of the Motos & EMC/UTV competition, pitting them against not only each other, but over 150 miles of harsh desert with no outside assistance.

In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.

A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for "the world's most important people,"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.

Hop on a Harley for this tour of the nation's highways and byways with other motorcycle enthusiasts by your side. This documentary examines the cult of Harley-Davidson and its followers, who traverse America free and unencumbered on their beloved "hogs." Viewers will make a side trip to South Dakota for the Sturgis Motorcycle Rally; celebrate Harley's 100th anniversary in Wisconsin; join the 9/11 Patriot Ride and the Love Ride; and more.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Filmmaker S.R. Bindler profiles Texas contestants trying to win a truck by keeping one hand on it longer than everyone else.

Marijuana is the most controversial drug of the 20th Century. Smoked by generations to little discernible ill effect, it continues to be reviled by many governments on Earth. In this Genie Award-winning documentary veteran Canadian director Ron Mann and narrator Woody Harrelson mix humour and historical footage together to recount how the United States has demonized a relatively harmless drug.

Documentary overview of Peter Lorre's ascension to fame as a master purveyor of silky but disquieting peril.

In this retrospective tribute, acclaimed filmmaker Jean Walkinshaw hails the 100th anniversary of Mount Rainier National Park in Washington by talking to those who know it best: the scientists, naturalists, mountain climbers and artists whose lives have been touched by the peak's far-reaching shadow. The result is a harmonious blend of archival material and high-definition footage celebrating an icon of the Pacific Northwest.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.