Chely

Latest example of Spanish "neokinki" cinema, which was popular in the late seventies/early eighties, right after the end of Franco's dictatorship. Destructured families of low social classes are the perfect environment for delinquency, drugs, violence and broken lives.

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?

El Muertes and El Jato travel to Morocco to get some chocolate but run into trouble when they are assaulted by locals. Magda, El Jato's girlfriend, waits for them in Algeciras where they decide to steal a car to get back.

Angela is a young waitress who turns her back on society when she meets and falls in love with Pablo, a reckless criminal delinquent. Along with Pablo’s gang of car thieves, the pair embark on a drug and disco-fueled robbery spree as they hurtle toward oblivion.

Perros Callejeros is based on the juvenile delinquency of the 1970s and 80s in Spain. The story is set in Barrio de la Mina in Barcelona one of the most conflict neighbourhoods in Spain. The characters chosen were real juvenile delinquents all with criminal records, which the director used to give the film a realistic touch. This film is very powerful and dramatic, it shows how these kids were brought up to survive on the streets.

Following the events of El pico, the heroin-addicted Paco faces jail time due to his involvement in a double murder.

José is an unemployed 18-year-old living in a cramped apartment in the slums of Madrid. Marginalized by poverty, José spends his time with his friend Antonio. However, when Antonio gets his girlfriend, Rosario, pregnant, the two friends try anything to get the money to pay for her to have an abortion.

Fernando, lives in the heart of Barcelona's Chinatown, which seeks life peddling amphetamines and alternating with a peculiar gallery sinister characters. In one of those sunrises stolen life, Fernando meet Elsa, a young teenager, fresh and lively, with a passionate and self-destructive personality who unwittingly become the most addictive. Together they try to survive in a shadowy villain and Barcelona at the end of the day is taken by the renegades of society and their particular codes.

A veteran policeman named Fernando feels a lot of hatred against Ángel because the boy ran him over with a car leaving him lame. Now Fernando accuses the young crook of having participated in a robbery at a gas station in which a murder has occurred. Helped by his friends, Ángel rebuilds the facts that serve him as an alibi, but while he is in pre-trial detention in La Modelo prison (Barcelona) a terrible mutiny will take place.

A chronicle of the life of Jaro, the leader of a juvenile delinquent gang, depicting his rise from street urchin to outlaw anti-hero on the way to his inevitable end.