Índice Médio de Felicidade

The story revolves around a man trying to uncover the mysterious death of his girlfriend and save an innocent man from the death chamber in the process, by using his unique power to time travel. However in attempting to do this, he also frees a spiteful serial-killer.

When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.

Six years after being kidnapped by a cult, Jamie tries to escape the clutches of her serial killer uncle, Michael Myers.

A terrorist group invades a laboratory containing a deadly bacteria and destroys the lab with an explosion. They later announce via the internet they have gained possession of the bacteria and declare themselves to be the Red Siamese Cats, a terrorist group that was eradicated a decade ago.

Lenny has relocated his family back to the small town where he and his friends grew up. This time around, the grown ups are the ones learning lessons from their kids on a day notoriously full of surprises—the last day of school.

Katniss Everdeen has returned home safe after winning the 74th Annual Hunger Games along with fellow tribute Peeta Mellark. Winning means that they must turn around and leave their family and close friends, embarking on a "Victor's Tour" of the districts. Along the way Katniss senses that a rebellion is simmering, but the Capitol is still very much in control as President Snow prepares the 75th Annual Hunger Games (The Quarter Quell) - a competition that could change Panem forever.

February 1999. Both ceremonies disappeared before Mikiya Kuroiri. And a continuous hunting murder case that recurs to match it. Three years ago, he called himself a murderer. Mikiya vowed to continue believing. Mikiya begins investigating the murder case to prove the innocence of the ceremony. Meanwhile, Mikiya reunited with a senior high school senior, Sakuji Shirazumi, triggered by a drug case.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times