The Last Days of Cinema

Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California.

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

A struggling family owns a Filipino porn theater where prostitutes conduct their business.

Liam Liu unwittingly gets involved with a high school girl. He suddenly has to go to China after learning from his father that he has inherited his grandmother's home in Shanghai. He's not very appreciative of his Chinese roots and at first only wants to sell the house and get back to the U.S. as fast as possible. He gets a taste of the Chinese culture and ends up having some big decisions to make

High school seniors and best friends, Sonny and Duane, live in a dying Texas town. The handsome Duane is dating a local beauty, while Sonny is having an affair with the coach's wife. As graduation nears and both boys contemplate their futures, Duane eyes the army and Sonny takes over a local business. Each struggles to figure out if he can escape this dead-end town and build a better life somewhere else.

Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.

A priest has a crisis of faith after hearing strange voices in his church -- which used to be a village's movie theater.

Alice is a girl devoid of affection seeking refuge in the images shown in the movie screen of a theater that his father manages in the Venezuelan Andes. This creates improbable stories in which she is the protagonist...

The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in the 1970s.

A couple's life becomes complicated when people get involved with their troublesome son.

In the early years of the reign of Hassan II, Houcine, a fan of the new king, is the director of a popular orchestra and the proud father of Mimou. This is a very particular troupe, male musicians who are sometimes forced to pretend that they are blind in order to play at parties reserved for women in conservative Moroccan families. But then young Minou runs into Chama, the neighbor’s new maid

Gregory bikes his way through the streets of Manila and transports film reels from one theater to another giving “extra service” to its patrons. He lives with his grandfather whose dementia worries Gregory, but whose stories of local movies being friends with Rogelio dela Rosa, Carmen Rosales, Leopoldo Salcedo, and other film stars fill him with inspiration.