The Sea Knows

A village youth gets trapped inside a communist hideout with his home made timebomb and must escape before it goes off.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

8mm film by Swiss artist Roman Signer.

The Shining Will Come Crashing Down

Surya is the son of a local don, and studies at the Chengalpet Matriculation School. His mother who is separated from her criminal husband wants him to grow up as a model citizen. Surya who is attached to his mother gives a promise that he will not take the path to violence again, and is admitted to the up market Lake View School in Ooty, described by its principal as the "Best School in south Asia". Surya is looked down by his snooty seniors led by Rohit and his gang. The only person who stands with him is Babloo, and the principal's daughter Tanya who has a soft corner for him. Under extreme provocation, Surya keeps his cool as he tries to live up to his mother's expectations. However he breaks down after Babloo is murdered, and goes on a revenge spree. The film ends on a tragic note, as the message of the film is conveyed.

Four forty-somethings each mired in some sort of mid life malaise reunite their 90's indie rock band.

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.