Zion Canyon: Treasure of the Gods

Like the original film, the sequel is set in a near future where all drinking and drugs are banned except for on one glorious day known as The Binge. This year, that day happens to miraculously land on Christmas.

It follows a young man who dreams of becoming a general and Ying Zheng, whose goal is unification.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

A successful and popular nightclub owner who believes financial independence is the path to equality and success, must act as a go-between for militant-minded brother and the white gang syndicate his brother has attacked and robbed. Their involvements lead to a breathless race course chase, the destruction of a dopepusher and a violent waterfront climax.

To defend their kingdom against a sudden invasion, a mighty general returns to the battlefield alongside a war orphan, now grown up, who dreams of glory.

The Earth shortly before its end. The houses in the cities are deserted, the streets smashed. The sky shimmers dark gray.

On July 7, 1944, a U.S. Army hospital on the remote island of Saipan is overrun by Japanese forces during a relentless attack. Outgunned and surrounded by the enemy, a lone medic puts it all on the line to lead a band of wounded soldiers to safety.