Hooray for Horrorwood

Witnesses have reported seeing upright-walking canids in Texas. Fact or fiction? Seth Breedlove continues his investigation in to the werewolf phenomenon.

This documentary is a detailed look into the making of PET SEMATARY, one of the most enduring cult-horror classics of our generation.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

In 1990 Barry J. Gillis began shooting wicked world on 16mm film. Eddie Platt, took his video camera along to many of the locations, capturing footage of the insane Movie Shoot.

Documentary from Kiwi filmmaker Florian Habicht on the most successful haunted attraction in the Southern Hemisphere, Auckland’s Spookers.

Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.

El proyecto del Pitufo Enrique is a document about the existence of a mysterious goblin from the province of Catamarca. During the filming of the movie there were some tragic incidents, such as the disappearance of six people or the violent deaths of another three. Some of these incidents were registered on video but couldn't see the light because of the ongoing legal battle between the director and the victim's families opposing its screening. On the contrary, Elvira Serio director of the movie, thinks that what is on the tape could be of great help shedding some light over all the mysteries around this thread. She hopes that her work can serve as a warning as well to all the residents and tourists who often visit that place.

A journey to the heartland of the Midwest for an in-depth look at an ongoing phenomenon: one of the most recent and popular stories has been an ongoing wave of sightings of a red-eyed, shapeless creature dubbed the Chicago Mothman.

An extensive look at the making of Fright Night (1985) and Fright Night Part 2 (1988) featuring exclusive interviews with cast and crew members, rare photographs, behind-the-scenes footage and more.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.