Blood and Steel

Haru, an aging scriptwriter, has isolated himself somewhere in the woods of Nagano to work on his first novel. As the last surviving member of his kin, he intends to chronicle the family he grew up in.

A Crowd of Three tells the story of two men, Kenta & Jun, who grew up as almost brothers at a children's facility. Kenta & Jun now works as part of a demolition crew but become fed up with their jobs. The friends then decide to take a road trip up north to visit Kenta's brother at the Abashiri prison.

Foreign spies and police pursue an attractive Dutch spy throughout Peking.

Set in a Japanese prisoner of war camp during World War II, the film focuses on the brutality and horror that the allied prisoners were exposed to as the Japanese metered out subjugation and punishment to a disgraced and defeated enemy. This harrowing drama concentrates on the deviations of legal and moral definitions when two opposing cultures clash. Although fictional, this was one of the earliest films to deal realistically with life and death in a Japanese prisoner-of-war camp during the Second War.

A victim from World War II's "Death Railway" sets out to find those responsible for his torture. A true story.

The story is about the Japanese occupation of Korea during World War II. A Korean patriot played by Carter Wong gets into a fight with some Japanese people and is chased into a church. The priest there is captured and tortured. Trying to secure his release, the leader of the resistance, Jhoon Rhee is himself captured and tortured by the Japanese. Carter Wong, Angela Mao and Anne Winton have to now try and rescue him. This leads to an explosive climax with the heroes having to fight the likes of Wong In Sik (Hwang In-Shik), Sammo Hung and Kenji Kazama.

[Period covered: 1614-1615] Tokugawa Ieyasu is now the ruler of all Japan. But one last loose thread must be tied up before his domination is complete -- the destruction of the Toyotomi clan, now beseiged in Osaka castle. Ieyasu's ninja are the only ones who can penetrate the fortress, but unfortunately for Ieyasu, Kirigakure Saizo and the other Toyotomi ninja can just as easily get out. As armies of samurai maneuver for battle, the fate of the nation will be decided by a desperate struggle in the dark!

Rui is the charismatic leader of a new religious group. Consequently, he starts to gain attention from the mass media. After becoming involved in a car accident, Rui goes to a remote island with ex-gangster now bodyguard. On the island, Rui reveals more about his religious group, while a set of ominous events are about to occur.

Lotus Long plays the title role, an American-educated Japanese woman broadcasting enemy propaganda to American troops. Captured GI Pete Sherman is one of a group of POWS slated to be interviewed on Tokyo Rose's radio program. Instead of advising his comrades to surrender (as ordered), Sherman uses his innate Yankee knowhow to hoist the treacherous deejay on her own petard. Managing to make his escape, Sherman hooks up with the Japanese Underground, convincing anti-militarist Charlie Otani to aid in a kidnapping plot aimed at Tokyo Rose.

Jirokichi the Rat is wanted in Edo for robbing the mansions of the rich. While on the run, he falls for Osen, a girl who has been sold to a brothel by her criminal brother, Nikichi. When he goes to find Nikichi, Jirokichi immediately falls for Okino, a poor girl who is also under threat from Nikichi.

A railroad worker in China in 1941 leads a team of freedom fighters against the Japanese in order to get food for the poor.

Even though bringing in cameras to the internment camps was prohibited, one man managed to smuggle in his own camera lens and build a camera to document life behind barbed wires, with the help of other craftsmen in the camp. That man was Toyo Miyatake, a successful issei (first generation immigrant) photographer and owner of a photo-shop in the Los Angeles Little Tokyo district, and of one of the many Americans who was interned with his family against his will. With his makeshift camera, Miyatake captured the dire conditions of life in the camps during World War II as well as the resilient spirit of his companions, many of whom were American citizens who went on to fight for their country overseas. Miyatake said, "It is my duty to record the facts, as a photographer, so that this kind of thing should never happen again."