We Should Not Exist

An all-female version of the Van Helsing tale reconfigures the vampire story as an erotic fantasy. The great, great granddaughter of Van Helsing seeks to slay the sexy Countess Dracula. She may have to pretend to be her devoted love slave to get closer to the bloodthirsty demon.

In this sexpolitation effort, a British pilot is assaulted by a gang of hoodlums and left on the street. He's eventually taken to a hospital, where he is nursed back to health by Dr. Emy Wong, a beautiful Asian physician. As the pilot is restored to full health, he becomes increasingly infatuated with Emy.

Charlie Taylor gets a surprise release from jail after a year for a crime he denies committing. His songwriter girlfriend Randi is glad he's back and calls on an ex-boyfriend, Carl Olsen, to get Charlie a job. Carl, now a district attorney in the Malibu area, hooks Charlie up with Emma De Layle, the sultry wife of an ill but still-powerful rich man. She wants Charlie to be the middleman in a fake kidnapping of her step-daughter, Melissa, who's in on the plot because she wants cash to break free of dad and Emma is happy to have her leave. Things are bound to go wrong, and Charlie may be left holding the bag yet again. Who's pulling all the strings in this web of intrigue?

Caught in a seedy underworld of lies, lust and murder, Antonelli, the local mob boss, and his sultry young wife, Michelle, share a game of deception and jealousy that soon turns deadly.

Follows the tale of a young woman’s sexual awakening and subsequent journey around the world in pursuit of her ideal lover. Encounters include an Arabian sheik and a Spanish bullfighter. Her friend and butler accompany her and help to arrange her couplings.

Lorna and Jim have been married for a year but Lorna remains sexually unsatisfied. While he's at work, she is raped by an escaped convict, then becomes lustfully involved with him.

A building speculator tries in every way to get their clutches on the lands of a pastor. It loses its fortunes playing broom with him. The Commendatore gag, trafficone building Lombard, bursts like an elephant in the quiet of the shepherd Lazio Baldo which would tear the earth, to be speculation. The hostility of the provincial lazy is fought by the invitation to enjoy the hospitality of the suitor and his bourgeois home. This would not be enough, but the ribs of rustic sent you bring Mrs. Greta, wife of the muzzle, and his daughter Paola, a professional student protester. Of course women Baldo receives several favors that little by little the glimpse a new future. The magic moment, however, that transforms the Lazio is given by a game of broom, which Baldo rips at Lombard its fortunes becoming its equal partner.

Paula and Edmund are peacefully married until she meets Nicanor, a composer who happens to be their neighbor. Edmund feels troubled after seeing Paula seeing interest in Nicanor. Could it be that Nicanor is the man who will destroy their lives?

While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment overlooking the Thames. There, she meets the lesbian hyper-horny real estate agent Moira.

Good-looking but virginal "rockstar" teen Tommy (Michael Morgan) tries to score with some of the local high school girls. But a classmate's mom (Dame Joan Collins) decides to make a man out of him.

Down at the docks a very enterprising but dangerous element is making life miserable for Sheriff Marga. But she is distracted by a series of puzzling kidnappings that is plaguing her parish. Could the culprit be the mysterious Queen - the dance hall queen of the docks? Or could it be an even more sinister figure: The Killer Tarantula?

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.