Le don d'Adèle

Thomas is a young actor, the adopted son of Don Antonio, director and founder of the theatrical company to witch he belongs and where he presents his plays. When Don Antonio dies, Thomas is in the need to reestablish his artistic abilities and of the company to save the theater of falling in the hands of the very ambitious Mauro, nephew of Don Antonio who wants to tare it down in order to build a gymnasium. He sets up a web site where he offeres his services as an actor to anyone who needs them outside of the stage. Under those circumstances, Thomas knows Rebeca, mother of Lucia, who hires him to have Lucia fall in love in order to be able to collect an inherence.

For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.

Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.

Live from Stratford-upon-Avon. The Royal Shakespeare Company presents The Taming of the Shrew. Turning Shakespeare’s fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.

Live from Stratford-upon-Avon. The Royal Shakespeare Company presents As You Like It.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.