The Barlow Affairs

A portrait of teen escort, 'Coco'.

Marty's act is filled with actual events from his life. Everything he says is a true story based on something that either happened to him, his kids, or that he made up entirely. (Do we need to point out that this is sarcasm? Wow, even the parentheticals have sarcasm.)

Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.

Tintin and his friends investigate when something ominous haunts seven archaeologists, just after their return from an ethnographic expedition to the Andes, where they have dug up the tomb of Inca Rascar Capac.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

In this affecting urban drama, down-and-out single dad Derek finds himself torn between his son's mother, Tasha, and former high school classmate Amour. Life spins out of control for Derek after he loses his job, but everything changes when he bumps into pretty Amour -- and ends up in love. Will the secret that she's harboring destroy their relationship and send Derek back to Tasha?

In this documentary we meet five children in Sweden and see what happened in their lives. Robin was nine years old, but he already knew what a prison looked like and the bad a punishment can do. Frida was not yet born when we filmed her mother Angela in 1983. Her sister Malin lived for several years in a foster family. Bosse was 14 years old and in 9th grade when we met him in 1978. He was the only guy in the class who had glasses. Marie received many postcards and letters from her father, but very rarely met him while she was growing up.