Um Caipira em Bariloche

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Like the original film, the sequel is set in a near future where all drinking and drugs are banned except for on one glorious day known as The Binge. This year, that day happens to miraculously land on Christmas.

It follows a young man who dreams of becoming a general and Ying Zheng, whose goal is unification.

Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.

On the run from his former employer, a reluctant hitman seeks refuge in an isolated village where he is faced with events that test the true nature of his conscience.

Criminals control Mexico and wrestling is now illegal. A retired fighter and a policewoman join forces to stop the perfidious criminal who has kidnapped her son.

While about to take off, Monica, the owner of a famous influencer cat named Diva, and Jack, an international thief whose dog Chichi swallowed a stolen ruby, dis- cover that their pets have gotten lost on the tarmac. The owners – and their pets – must team up to find their loved ones. But they don’t know that Brandt, a cop hot on their heels, will do anything to get his hands on the ruby!

A young alcoholic ambient musician locks himself in his apartment on a dangerous seven day bender as he attempts to finish his upcoming album.