Woman on Top

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.

When a thief enters a house desperately looking for money, he finds something more valuable.

Agnès Dormes, a famous opera singer, saves Julie, a baby girl who was about to be sacrificed during a black mass. Twenty years later, the baby has turned into a beautiful energetic twenty-year-old young lady determined to find out about her origins. In Avignon, Julie manages to meet Agnès and discovers on the occasion she is not her real mother. A series of adventures will ensue and at a time Julie is nearly burned on the stake. But she eventually achieves her end and can marry, a street performer close to her heart.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

Speed Racer is a young and brilliant racing driver. When corruption in the racing leagues costs his brother his life, Speed must team up with the police and the mysterious Racer X to bring an end to the corruption and criminal activities.

Thirteen-year-old Paula lives with her mother on a well-kept estate in a small town surrounded by nice neighbours. But Paula's view of normality has been sharpened by her extensive and consistent diet of horror movies.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.

A thirty-something southern woman searches for love, despite the burdens she carries with her.

In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.