Screw My Ass White Boy 2

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

Seeking refuge on an island in Upstate New York, a married couple's final attempt to salvage their failing relationship takes a turn for the worse when the husband begins to regress emotionally, mentally, and physically.

A girl, Carola, whose vacation in Kenya takes an interesting turn when she becomes infatuated with a Masai. Carola decides to leave her boyfriend to stay with her lover. There, she has to adapt to the Masai's way of life and get used to their food which includes milk mixed with blood. She also has to face her husband's attitude towards women and what he expects from a wife. Nonetheless, Carola is welcomed warmly into the tribe she has chosen to join.

A down and out all girl race team, Maximum Thrust, hires a sexy newbie street racer, Bekka (Beverly Lynne), in hopes of saving a failing business and salvaging street creds and respect. The action is fast and furious on and off the track when Bekka is seduced by a rival racer, Junior Sloan. When it is discovered Junior intends on destroying Maximum Thrust, even if it means killing the driver, Bekka reunites with the team. With friends and lovers helping, the women of Maximum Thrust build an awesome street racing machine and lay it all on the line when they challenge Junior to a race at "Street Wars." It is a high octane battle where Bekka blows by Junior and stops him on the track. Using intimate information, Bekka and the team have Junior arrested and the team reigns as the Street Wars champions.

From the creator and director of the critically acclaimed documentary Dark Girls, award-winning filmmaker Bill Duke continues the conversation on colorism with Light Girls. Sharing the untold stories and experiences of lighter-skinned women, Light Girls dives deep into the discussion of skin color, preference, privilege, pain and prejudice. The documentary features interviews with Russell Simmons, Soledad O'Brien, Diahann Carroll, India Arie, Iyanla Vanzant, Michaela Angela Davis, Kym Whitley, Salli Richardson-Whitfield and more.

Legend has it that the human race is not the only dominant civilization living on Earth. Two other races exist in this world: the Makai (a demon race) and the Jujinkai (a half-man, half-beast race). Once every 3,000 years, a supreme being known as the "Choujin" (Overfiend) will emerge and bring balance to all three realms on Earth. In present-day Japan, after 300 years of endless searching, a Jujinkai named Amano Jyaku has discovered the presence of the Choujin inside high school slacker Tatsuo Nagumo. But now, Amano, along with his sister Megumi and their sidekick Kuroko must protect Nagumo and his new girlfriend Akemi Ito from the Makai, who believe that Nagumo is not the Choujin, but an evil entity bent on destroying all living beings on Earth.

A man finds himself homeless after a fight with his significant other.

When Selenia arrives in the small Italian village heads start turning and eyes start popping. All males in the town are falling all over themselves trying to get a look -- or a feel -- of the new doctor.

Tom of Finland is one of the gay world's few authentic icons. His drawings have had an enormous influence on gay identity. Tom's ultimate leather men are known and seen everywhere. They are symbols of gay pride and friendship. The documentary includes some titillating 'enactments' inspired by Tom's art work.

A restaurant owner leads a double life.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

After five years of marriage, Diana discovers the joys of adultery, claiming that she can save her failing relationship through betrayal.