The Maid Seduces the Cowards

A film director fades away from the industry after the failed love with the heroine of his movie. After being rehabilitated, he learns that some people conspired his fall and decides to take revenge.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

It follows a young man who dreams of becoming a general and Ying Zheng, whose goal is unification.

A young alcoholic ambient musician locks himself in his apartment on a dangerous seven day bender as he attempts to finish his upcoming album.

After a mammoth cruise ship sails over the site of the Titanic’s disaster, dark and deadly events start to occur on board. As the ship’s captain investigates the tragic occurrences, it becomes clear that the passengers and crew from the original Titanic have returned.

Alain and Diane have been together for 30 years. In his mind, Alain is still 30 years old. But the equation 30 years of routine feelings, empty nest (and incidentally a job where being 50 is like an incurable disease) creates a much less euphoric effect for Diane. She oscillates between depression and free fall - and the first one who says "hormonal" she smokes. Alain loves Diane like crazy and love is proof. He's going to do something crazy for her, something to make her feel vital again, to make her heart beat and youthfulness pulsate. The crazy thing? Leave her. The risk with electroshock ? Unknown: either it wakes up or it burns. They will take it, with their eyes closed.

Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.